Looking forward to seeing you! (And if it's not the venue for evening
blues, I'll understand.)
Louis and Amy
Hey Amy, Louis and fetus (baby by now, I hope),
Well, it's taken me a long, long time to finally be able to answer
your letter. I trust you've gotten a new car and a beautiful new
baby. Congratulations! I hope you enjoyed the Slim's show, either Guilty
Men or Knitters, and that the next time I'm in Cincinnati, it isn't so DAMN
hot. Although I think I lost 5 pounds at that gig.
Sincerely,
Mary Reilly
Dear Mary,
If I remember correctly, the radio station was in south Tucson in an
industrial part of town and we did the interview in the early evening
before the gig. I don't remember the name of the club but I recall
that it was a heavy metal joint. I also remember local Tucson blues
singer Sam Taylor sat in on the encore with me and my old band, The
Allnighters. I can't picture your tattoo right now but I do kind of
remember the dedication. I'm sure it's beautiful. In regards to another
interview or whatever, if someone has a radio job, I'm more than willing
to do just about anything, just let me know. See ya at the Crossroads,
my favorite Mexican joint in Tucson.
You mentioned a new release you were producing for Katy Moffatt. You sounded really excited about it, but I have not been able to find it anywhere. What is the title and where can I get it.
Thanks - Albee
PS: The singer, Chris, that you had with you was great - I'm on the
prowl for his CD too - kick myself for not buying it at Lupo's....
Albee
Dear Albee,
I had a great time that night in Providence, both playing at Lupo's
and then sitting in with Barrance Whitfield at another club. Yeah, I'm
REAL proud of the Katy Moffatt CD. It's called
Loose Diamond and
it's on Hightone. If you haven't found it yet, try
Amazon.com
[Ed: or
CDNOW,
or others....],
hell, while
you're at it, the Chris Gaffney CD (which I also produced) is called Losers
Paradise also on Hightone. I hope you enjoy them and see you in one of
the fine bars of Providence.
Dear Martin,
I've only played Germany twice as a solo artist and twice as a Blaster. I
would love to go back someday soon. But Greg Leisz and I did take a
train through the Rhine Valley one time, with two of the worst hangovers
imaginable, and the scenery was awesome and amazing. I'd like to do it
again without the hangover. See you soon, hopefully!
Hey Kenny,
Naw, I didn't pull a Jerry Lee on ya. I was in the backroom drying
off and doing the business thing. I came out after a while and had a
beer or two with some people. You should of stuck around cuz I was
buying! Unfortunately, your CDs must have vanished into the van or
somebody's motel room, because I never got them. The best thing to do
is to send them to me care of Hightone Records up in Oakland. As far
as our mutual love for roots music, I LOVE early Sun records and have
most of the great 45's from Elvis and Roscoe Gordon to Warren and Ray
Smith. Sun Records have always been one of my biggest influences. As the
old saying goes, "They don't make 'em like that anymore." I hope things
are going good with your music career and thanks for the compliments to
my band. They're incredible musicians but lousy at passing on CDs.
Loyal fan
Dave B.
Hey Dave B,
I'm sure Johnny Doe was just teasing you. He was teasing you, wasn't he?
He must have been . . . teasing you . . . I hope he was just teasing you . . .
wasn't he? Sure . . . thats all it was, just teasing . . .
I am waiting your positive answer ASAP.
Best regards,
Mirko
P.S. I imagine myself on that concert seating on a medical chair
with alcohol infusion on both my hands and with two nurse's with
big ... pushing me in to the crowd to the front line of the stage. The
background song is "Keep a knockin...". I think that you will understand
my humor.
Mirko Billy Todorovski
Dear Mirko Billy Todorovski,
Hey, man, I'm amazed that someone in Macedonia has heard of me and the
Blasters! I'm proud that my songs mean something to you and I would love
to come over there and play a gig. The
booking information
(phone numbers
etc.) is listed on the website. Hopefully, when all the political crap
is finished, I'll be able to make it over there. As far as the nurses
wheeling you around to "Keep A Knocking," you're on your own there, pal.
It is special, and last summer was one of the best I ever attended, with Doc Watson, Steve Riley, Fred Egale-Smith, Asleep at the Wheel, Tim O'Brien and yourself. As you recognize how special it is, why don't you pencil it into your schedule every summer? We'd love to have you back.
Have you heard the work of Bill Morrisey? He could be your New England soul mate. A number of songs on his first three albums are masterpieces. I urge you to familiarize yourself with his work. He reaches great depths with few words and the space between the lines have tremendous connotations and implications.
Dave, your best work is yet to come, keep digging beneath the surface, don't settle for the facile, the obvious,the easy answers, the cliches--dig for the gold, you know where it is.
Love your music,
John Twomey
Hey John,
I LOVED the Escoheag festival, except that I had to play after Doc
Watson (a fate I wouldn't wish on my worst enemy - well, maybe I would).
Following him was mighty intimidating! It's up to them as far as who
gets invited to play but anytime they want me I'll be there. Yeah, I know
Bill Morrissey. He's one of the best songwriters in the known universe
and a great guy also (the two don't always go hand in hand). Unlike
a lot of singer- songwriters, Bill has solid blues and R+B roots and
I think that gives his stuff a lot of it's power. I just talked to him
recently on the phone. He's living up in the woods in New England and
was trying to get me to go up there and play a couple shows and maybe
write a couple songs. We'd probably smoke a couple cigarettes also.
Anyway, see you at Escoheag one of these days.
Hey Mike,
I'm always thinking of writing more songs, playing more gigs and drinking
more beer with Tom. In fact, tomorrow, I'm driving up to central
California just to watch Tom do a private show for some ranchers and
cowboys. I'll tell him you said hello. And tell your wife I said
hello. See ya in St. Louis.
Hey Rick,
The talented, well-dressed, multi-instrumentalist was (is) Rick
Shea. He's been touring with me the past two years but is also a great
singer-songwriter on his own. I believe there is a link at this web-site to
his website
where you can get more info on him. An incredible talent.
Dear Lisa,
Do I ask you to give up your precious secrets? The tuning is the low
E dropped to D and the A dropped to G. Then I either capo on the third
or fourth fret depending on how my singing voice is doing. I don't know
the correct name of this tuning but Lonnie Johnson, the greatest blues
guitarist of all time, used it a lot, so I just call it the Lonnie Johnson
Tuning. Now, I have no more secrets. I feel used and empty. Anyway,
good luck and thanks for the kind words.
Hey Steve,
Thanks for the support. The audience wasn't that rude. I've dodged beer
bottles and cherry bombs in the past so a couple of loud drunks don't
upset me too much. But, unfortunately, I don't perform certain songs in
those conditions. Some songs are just like shy children and don't like
to come out very often in front of strangers. Brother on the Line is one
of those. I hope you come to another show under better circumstances. By
the way, wasn't Richard Thompson incredible? What a singer, guitarist,
songwriter and he's a nice guy.
Thanks and I love your web site!
Tina Frame
Dear Tina,
Wow, thank you for the compliments. Thank your daughter too. You picked
3 of my favorites songs also. I wrote in the answer to the last question
that some songs are like shy kids that don't like to go out in public
that often, and those 3 songs are shy kids. But the next time I play
Detroit, I'll do at least one of them for ya. See you on Cass street.
[Ed:Tina, Glad you like the site. That's why I do it! -Scot]
Hey Steve,
I think mp3s and all that are great. Any way to get the music out there
because radio has become so closed and limited. Unfortunately, I'm new to
this computer jazz and it will be a while for me to figure out how to
do it (unlike my brother, Phil, who is a genius at this stuff). As far
as outtakes go, my budgets aren't large when I make records so there are
very few outtakes. We just cut the song and move on. Someday I'll have
300 thousand dollars to make a record and then there'll be countless outtakes.
Does this mean no cookies?
Last modified 14Jan00
Dave Alvin Q&A/Questions/Comments